Reverend Billy (a.k.a. Bill Talen) and his wife Savitri D. organize protests (they call actions) that attempt to create a “radical instability” in the hopes that they will punch a hole in the matrix-like reality that is the average consumers’ existence. In an interesting interview over at Reality Sandwich, Jonathan Talat Philips, director of Evolver.net asks some pertinent questions of the anti-consumption duo. You’ll even find some handy tips for yourself about getting off the grid.

I’ve been using the sixty one for a bit and I have to say this site is clearly what music has been needing as a replacement for radio for the internet. Or, probably, this is what a music junkie like me needs. Pandora serves for passive listening for a lot people I would guess, but for folks like me who spend a lot of time digging around on iTunes and looking up the names of songs I heard on TV or in movies, this site is ideal. It basically turns finding new music into a video game. You can gain reputation points for completing “quests.” The more quests you get, the better your reputation. You share and download as well. I especially intend to let my friends in bands know about this. It’ll be a great way to get fans.

This is the funniest, truest statement I’ve read on a blog in a while:

This is the golden age for aspiring writers. We have a worldwide communications and distribution network where you can publish anything you want and—if you can manage to get anybody’s attention—get near-instant feedback. Writers just 20 years ago would have killed for that kind of feedback loop. Killed! And you’re asking me what word processor I use? Just fucking write, then publish, then write some more. One day your writing will get featured on a site like Reddit and you’ll go from 5 readers to 5000 in a matter of hours, and they’ll all tell you how much your writing sucks. And most of them will be right!

Thanks, Mark. Honest and spot-on.

One, I’m generalizing this to artists, not just writers. This is a golden age for artists (actors, writers, painters, programmers, etc.). That is, if by “golden age,” what you mean is not-making-insane-butt-tons-of-money-with-what-I-did. Not talking about that. Rather, if I may add to the terse and insightful statement above, I told a friend once that “success” has to be an irrelevant measure of art. She was a little caught up in the fact that she was writing (less than she wanted) and she didn’t see any way to get her work out to the world; how to ever make a career off of it. Here’s two things to know: not everybody loves what you love. (REALLY!?) If doing what matters to everyone else matters to you, then do what you think everyone else loves and spend years investing in the fact that you were entirely wrong (or .005% of the time, right¹). I mean, how many kids are out there behaving obnoxiously while drunk in orange tans, who aren’t getting paid? There’s nearly 7 billion of us here! You can’t figure out what everybody loves unless you stub your toe on it!

But here’s a better game to play: if you do what you love and love it, you have an exactly equal chance of getting everyone else to love it as you did when you were doing what you thought everyone else wanted. You just have to keep doing it over and over beyond any level where it seems to make sense. I mean, it’s kind of funny that what I just said and the definition of insanity aren’t much different: keep doing the same thing over and over again and expect different results. Insanity fits the bill. Of course, one would hope that your art gets “better,” but only by some measure that you establish. But then, my niece’s art is pretty awesome as it is and as she grows up into an adult she’ll probably screw it up more than she improves it along the way, and then she’ll figure out that what she originally did was pretty awesome and revert back to that, only then to discover that anything retro was overhyped to begin with, and then, well, what’s this whole art thing mean anyway—was I innocent or an idiot?—did my lack of awareness of cultural norms help or hurt my work or inform my skill?

Yeah, I tricked you. Ok, lovely niece, stop pontificating the future of your awesome life that does not exist yet. These lines of questions are meant to deceive you, dear reader, into meaningfully doing what other people want—which as I’ve already established, you can’t do (except by stubbing your toe). So, again, do what you love doing? You’re not just disregarding convention. You have to assume that convention has poisoned you and that you need to find the anecdote² and that only someone you trust has the antidote, but then the virus is making people act crazy anyway and you can’t trust anyone you trust!

This imaginary rhetoric from my niece is meant to imply that she’ll try to make her stuff more like other people’s stuff, not like her stuff. (By the way, I’m 35 and have no idea where the dividing line is between my stuff and your stuff. Frankly, I’m glad that Steinbeck is dead. No lawsuits! Ah, see!—I just used a quick exclamation to end a line of thought—glad Vonnegut’s dead too!) Whatever, I’ve gone on here too long for a blog post. Face it. You suck at what you’re trying to do. That old ipod headphone jewelry is a stupid idea. But if you like it, you should keep doing regardless of what Simon Cowell thinks.

I like hanging around on Amazon, perusing the numerous objects of necessity-filling that I had not known previously existed, but who knew that the reviews themselves could be hilarious? Take milk. At first glance, you might think, “Sure I could review milk. It might taste good or bad or creamy or not,” et cetera. But then, you would not be taking full advantage of the potential absurdity available to reviews of milk—or the ridiculous uses of said milk! Me, personally, I started with the 1 star reviews of milk, because bad reviews are funnier. Nonetheless, there are gems throughout.

[Hat tip to Marginal Revolution for spotting this inanity.]

In Jalalabad, Afghanistan there is a unique little tiki bar called the Taj (apparently the only bar for hundreds of miles) that has hit on a unique proposition for creating “social media software.” Since the bar is the only one around, there is a unique mixture of individuals, from military personnel to consultants for NGOs to mercenaries.¹ Any of the patrons are made the offer that if they will deposit some information that they have (photos, white papers, GPS coordinates) on the bar’s terrabyte server, they can have a free beer, as well as download any information they want from the server. I’d call it a beernet!

You can hear more about it at length in this video interview of Smari McCarthy by Vinay Gupta.

[via the Humanitarian Technology Network]